adobe media encoder cc optimize rendering

ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING 1080P
ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING PRO
ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING SOFTWARE
ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING PLUS

To deliver a high quality Master in the Export Settings Panel choose Quicktime, and then under preset navigate to GoPro Cineform YUV 10 bit.

ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING PLUS

Plus it renders really fast and provides excellent results. However, you may experience some colour shifts and other minor issues, so it’s recommended to use the Cineform Codec instead.

The latest version of Adobe Media Encoder also supports DNxHD. It’s probably the best option you have when you are working on PC. As for the Keyframe Distance it should be set to 1 most of the time for best quality, and on the audio side picking the ACC format, 16-bit, 48000kHz, 192kbit/s audio will do a decent job.įor archiving or delivery purposes its best to choose the Cineform Codec. Probably you should do some further tests to find the optimal settings for your own projects. You can also use the Constant bitrate where the rate will be fixed to a particular value.įrom my personal experience, I’ve used one of the YouTube presets that comes by default with the Media Encoder where even at 8Mbits I managed to get an excellent result after uploading my video to YouTube. Alternatively, if you wish to render a smaller files, you should use the VBR 2 pass option and set the Target and Maximum bitrate at a lower number.

In terms of Bitrate Settings if you are using the VBR 1 pass both the Target and Maximum Bitrate should be above 20 Mbits if you want to maintain the high quality final result. If you are using footage that initially was shot as 10-bit video or higher tick the Render At Maximum Bit Rate box. Under Profile choose High and set the Level to 4.2. Usually, these parameters are inherited by the preset that you choose in the top section of the Export Settings Panel.įor instance, depending on the country you are based in select either NTSC or PAL system. As a rule of thumb it’s recommended to match the settings of your source file. Here you can set the desired resolution, frame rate and aspect ratio of your final video.

ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING 1080P

As Casey is dealing with HD footage from his Panasonic GH3 camera he uses the HD 1080p 23.976 preset.Īll in all, the tricky part of the process comes with tweaking of the Basic Video Settings. The next step is to choose a suitable preset. In this particular case, Casey Ferris picks the H.264 option. In the Export Settings Panel under Format select either Quicktime or H.264. As for the particular delivery workflow, most of the misconceptions and mistakes happen in the Export Settings Panel of the Media Encoder.ĭepending on whether you are delivering for the web, your clients or only want to use them for archival purposes you should initially choose an appropriate preset from the list that comes with the platform.įor instance, if you are delivering for the web then using the H.264 codec and Quicktime wrapper tends to be one of the most popular options you can utilize.

ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING PRO

It’s important to note that Media Encoder lets users queue a bunch of renders, thus enabling export of multiple files in the background while still working on other projects in Premiere Pro or After Effects. If you are also overwhelmed by the delivering process, here is another great tutorial from Casey Ferris who reveals his personal post-production workflow on dealing with rendering footage in Adobe Media Encoder. The Adobe Media Encoder, on the other hand, provides more options to fiddle and play around with the final image which occasionally may result in poor performance while rendering, thus preventing users from getting the best possible image quality when exporting files. The overall workflow in Compressor seems to be more intuitive and straightforward.

ADOBE MEDIA ENCODER CC OPTIMIZE RENDERING SOFTWARE

And you'll see that Adobe Media Encoder launches, and these two render queue items are now added to its render queue.For many Apple FCP/Compressor users who already made the switch to Premiere Pro CC/Media Encoder getting the optimal render settings out of the Adobe software can still be a challenge. So, rather than hitting render here and tying up After Effects, I'm going to use this button for cue and Adobe Media Encoder. I'm going to add these to the render queue by simply selecting them in the project window and dragging them down, and I have a output defined, a file out location, and that's to my desktop for both of these items. So here in After Effects, I've got two compositions that I'd like to render out, I've got this master comp and the map comp. In this movie, we'll see how we can offload the rendering to Media Encoder, and also look at what other output formats are available through it. And this is where Media Encoder comes in. After Effects allows us to cue up multiple compositions for rendering, but at the cost of locking us out from doing work while it renders.

Adobe media encoder cc optimize rendering